Brainnwave · Brand, creative direction, digital & product design

Building the visual world around an ever-changing startup

I joined Brainnwave expecting to stay for a few months. I stayed for seven and a half years.

Brainnwave logo
Brainnwave main logo treatment.

I wasn’t actually supposed to stay.

I originally arrived at Brainnwave on secondment from service design agency Nile. The plan was to spend four days a week helping the company run design sprints.

That isn’t quite what happened.

Brainnwave was a data startup of around 30 people with an ambitious idea to become something like an “Amazon of data” - a marketplace where organisations could discover and buy datasets, satellite imagery and other information.

I started out designing parts of that marketplace: product pages, filters, geographic selectors and the interfaces needed to navigate some very complicated data.

But there was another project happening alongside it that I found much more interesting.

Brainnwave was working with Aggreko, combining different sources of data and using them to identify sales opportunities, rank markets and understand things like country risk.

More importantly, somebody was actually paying us to do it.

I remember asking a fairly obvious question: if this is where we’re creating real value, why aren’t we doing more of it?

I certainly can’t claim responsibility for the decision that followed, but within about six months the marketplace was gone and the company had pivoted towards building intelligence products around combined data.

By then I’d decided I wanted to stay too.

The early days: Original data marketplace and early Aggreko product. The early days: Original data marketplace and early Aggreko product.

Somewhere along the way, I became the design department.

Following the pivot, Brainnwave became a much smaller company before beginning to grow again.

Design had previously been largely developer-led. There wasn’t an established visual language for the product, a mature design function or really anybody asking how all the different pieces should fit together.

Increasingly, that became my job.

I designed the interfaces, challenged how things worked, helped shape products before they existed, rebuilt websites, created presentations and eventually took responsibility for the company’s wider creative direction.

I became part of the leadership team and worked directly with the founders. One of the nicest bits of feedback I received from our CEO was that I was always thinking about the next iteration rather than simply designing the one immediately in front of me.

For five or six of my seven and a half years at Brainnwave, I was effectively the sole designer. We eventually hired another designer into the team, but for most of my time there, if something needed designing, it usually landed with me.

Various website & product designs.
Brainnwave logo evolution

Giving Brainnwave something to grow into

Brainnwave already had an identity when I joined.

Its lowercase logo combined the two Ns and W into a wave-like device. It wasn’t terrible, but it was awkward to use, felt increasingly dated and had accumulated inconsistencies across the business.

I didn’t want to throw everything away for the sake of it.

I retained the established red and grey palette, but rebuilt the identity around a much simpler idea.

The new symbol used the B from Brainnwave, constructed from a network of connected points and lines - somewhere between a letterform, a network and a data visualisation.

It gave us something recognisable that actually related to what the company did.

An identity that could actually behave like a system

The full mark worked well at larger sizes, but all those points and connections weren’t appropriate everywhere.

So I developed a simplified version for smaller applications, alongside horizontal and vertical lockups, versions with and without the tagline, and the practical variations we needed across digital and physical environments.

Heck, I even animated a version for our videos.

The point wasn’t to produce a giant brand-guidelines document.

It was to make sure that whether somebody encountered Brainnwave on a website, a presentation, a conference stand or a tiny browser favicon, it still felt like the same company.

Visual language
A different point of view

The identity extended beyond the logo.

Because Brainnwave worked with geographic, economic and business data, I developed an image style based around looking at the world from above.

Satellite imagery, aerial photography, topography, maps and plan views all shared the same basic idea: changing your perspective to reveal something that wasn’t obvious from ground level.

We could move between macro, meso and micro views depending on the story we were telling - from landscapes and cities down to individual sites and infrastructure.

It also created a natural relationship between the brand and the maps, layers and visualisations people encountered inside our products.

Brainnwave work

Then I set to work on pretty much everything.

A startup generates an astonishing number of things that need designing.

The identity gradually spread across the website, sales decks, investor presentations, documents, social media, signage, stationery, events, conference stands, business cards, notebooks, pens and whatever else appeared next.

Sometimes that meant defining the direction and working with suppliers to deliver it.

Quite often it meant making the thing myself.

Brainnwave work

Finding a voice
Data companies don’t have to sound like data companies.

Brainnwave sold complicated platforms to large organisations, so there was always a danger of everything becoming very serious, very technical and very corporate.

I liked finding places where we could let a little more personality through.

Not every piece of communication could behave like that. But when the opportunity was there, I wanted Brainnwave to feel like it had been made by actual people.

Taking design into the product

The same thinking increasingly extended into Brainnwave’s software.

When I joined, much of the interface had naturally grown out of development. As my role expanded, I started introducing more deliberate interaction patterns, navigation, hierarchy and visual consistency.

Some problems were deceptively complicated. Selecting a country or geographic area could involve different datasets, levels of granularity and ways of interacting with maps. Dashboards had to make dense information understandable without losing the flexibility our users needed.

I worked across those problems from early concepts and information architecture through to detailed interface design, usually alongside developers, data scientists and product stakeholders.

I was interested in where the product could go next, and worked with developers and data scientists to turn that thinking into the version we could actually build.

Brainnwave work

Not every design problem had a customer at the end of it.

At one point, Brainnwave was struggling to attract enough good applicants.

Rather than treating that purely as a recruitment problem, I started looking at the experience we were presenting to prospective employees.

I spoke to existing staff and prospective candidates, reviewed the language in our job descriptions - including gender-coded language - and reconsidered how we presented the company, the roles and the reasons somebody might actually want to work there.

I redesigned our recruitment pages and job materials and also looked at less glamorous details such as structured data and Schema.org markup to improve how vacancies were surfaced.

The difference was noticeable.

Applications increased significantly, candidates began complimenting the job specifications themselves, and recruitment became another example of something I’d come to believe quite strongly by then: design wasn’t just something we applied to the product.

It was a way of improving the company.

The company never really stopped moving.

Over seven and a half years, Brainnwave changed direction a lot.

The original data marketplace disappeared. Our technology moved through market intelligence, data intelligence and decision intelligence. Products gained names, lost names and changed shape. We built things ourselves, co-developed products with partners and explored opportunities across industries and countries.

Even our tagline evolved.

One of my favourites was:

Data. Intelligence.

The punctuation deliberately allowed it to mean two things: data intelligence, but also data and intelligence as separate ideas.

Later that became Decision Intelligence as the company’s positioning moved again.

As the company changed direction, I kept adapting the identity, website and product around what we were building next. The challenge was keeping those pieces connected while the proposition itself was moving.

I was continually trying to give form to whatever Brainnwave was becoming next.

Brainnwave work The ever-changing nature of finding market fit.
Brainnwave work

Eventually, one of those ideas became Mosaic.

Towards the end of my time at Brainnwave, our work increasingly focused on a product for economic development and inward-investment teams.

It became Mosaic.

Mosaic developed its own identity, website and increasingly coherent product experience - including some of the strongest product work I did at Brainnwave.

It deserves a story of its own.

Explore Mosaic
Brainnwave workYes, I designed this too.

Looking back
From the first business card to the last bottle.

For seven and a half years, I helped Brainnwave turn changing ideas into things people could see, understand and use.

That meant working directly with the founders on what came next, then carrying it through the product, website and all the other things the company needed.

The breadth was the job. As was seeing it through.

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